"How Is Love" + "Cry Me A River" (7'' Single) 1977 electronic french space disco 70s
Candy Sylver (Real Name: Évelyne Courtois) is another 70s space disco production from France. Only released x1 two track 7 inch single and quite unknown.
Candy Sylver – How Is Love
Label: Vogue – 45. V. 140272
Format: Vinyl, 7"
Country: France
Released: 1977
Genre: Electronic
Style: Disco
Tracklist
A How Is Love (4.06) 1977
Written-By – Pussy Cat, Sonny Silver
B Cry Me A River (3.31) 1977
Written-By – Arthur Hamilton
Enregistré aux Studios Sidney Bechet Vogue - Villetaneuse
ⓟ 1977 Vogue Records (Made in France)
43rd YEAR ANNIVERSARY since original release 🎉
43e ANNIVERSAIRE depuis la sortie originale 🍾
TRANSFERED AND RESTORED (2020) from ORIGINAL French 7'' by Retro Disco Hi-NRG
TRANSFÉRÉ ET RESTAURÉ (2020) de ORIGINAL French 7 '' par Retro Disco Hi-NRG
01. INTRO - Battlestar Galactica Vs Buck Rodgers (1978/1979)
02. SUPERNATURE (12'' Disco Mix) - Cerrone (1977) Malligator, FRANCE 03. TEMPS X - Didier Marouani (1979) J.M.B. Records, FRANCE 04. CHINESE REVENGE (Dub Mix) - Koto (1983) Memory Records, ITALY 05. DAS MODEL / THE MODEL (Dub Mix) - Kraftwerk (1978) Kling Klang, GERMANY 06. MACHINES (from Metropolis) - Giorgio Moroder (1984) Columbia, EUROPE 07. VOICES OF JUPITER - Paris France Transit (1982) Vogue Records, FRANCE 08. MAGIC RIDE - Rene Riche & Her Cosmic Band (1978) Gallo, SOUTH AFRICA 09. SAVE YOUR LOVE FOR ME (Special 7'' Mix) - Space (1978) Vogue, FRANCE 10. IT TAKES ME HIGHER - Ganymed (1978) Bacillus Records, GERMANY 11. MAGIC FLY (12'' Remix '85) - Space (1977) Vogue, FRANCE 12. CRY ME A RIVER - Candy Sylver (1977) Vogue, FRANCE 13. MAMMAGAMMA (12'' Mix) - The Alan Parsons Project (1977) Arista, UK 14. CHUNG KUO - Vangelis (1979) Polydor, GREECE
02. Disco Rock Machine - Living For The City (1978) 7:19
03. Hot R.S. - House Of The Rising Sun (1977) 14:35
04. People Like Us - Hiroshima (1987) 6:39
05. Rouge - Eloise Concerto (1978) 17:32
06. Neil Cloud - Time Of The Season (1978) 6:33
07. John Ireland - Living Inside My Head (1978) 6:25
08. Hot R.S. - In-A-Gadda-Da-Vida (1978) 7:47
09. Disco Rock Machine - You Really Got Me (1978) 7:12
10. Buffalo - Born To Be Wild (Medley) (1978) 14:07
11. Neil Cloud - Reflections (1978) 17:38
12. Hot R.S. - Delta Queen (1977) 7:49
13. Disco Rock Machine - Time To Love (1978) 7:18
14. Harari - Give (1980) 5:16
15. Hot R.S. - Money Runner (1980) 6:28
16. Disco Rock Machine - Loving Styles (1978) 7:15
17. Sipho "Hotstix" Mabuse - Burn Out (1984) 4:57
RARE 2CD SET RELEASED FOR A LIMITED TIME July 1999, Gallo, CDREDD 627
Credits:
Thanks to: John Ireland, Brian 'Vagabond' Currin, Dion Singer, Gary Van Riet, Lana-Jane Miller, Terry Owen, the good people at EMI, Peter Pearlson (Forest Studios) for all his hard work, Terry Fairweather, the crowd at Apula and everybody else who made this compilation possible.
Compiled by Derek Smith
Digitally re-mastered at Forest Studios by Peter Pearlson.
Reviews:
In the late 70s disco music internationally was dominated by such artists as The Bee Gees, Donna Summer, Chic, Gloria Gaynor, Village People, etc. The rhythm was everything and musicianship was secondary.
In South Africa, however, disco seemed to take on a distinct harder edge, with a number of classic hard rock and heavy metal songs being given the disco treatment.
Paul Ryan's classic 'Eloise' was extended to 17 minutes by Zane Cronjé's Rouge, HOT RS covered Iron Butterfly's 'In-A-Gadda-Da -Vida' (cleverly combining it with Frankie Vaughan's 1957 UK #1 smash hit 'Garden Of Eden') and Peter Vee's Buffalo covered Steppenwolf's heavy metal anthem 'Born To Be Wild'.
Ex-Rabbitt, Trevor Rabin with his Disco Rock Machine recorded the Kinks' 'You Really Got Me' while his colleague, Neil Cloud (Rabbitt's drummer), covered 'Time Of The Season' originally done in 1968 by Rod Argent's Zombies.
All these tracks and others (like John Ireland's 'Living Inside My Head') are on this Gallo collection compiled by Derek Smith. -- Brian Currin, 1999
Even if one did not care overmuch for disco, he or she should be able to find enough songs on this double CD to make at least a 90 minute tape. In Texas we spend much time in our cars so road tapes, for me anyway, are important. This is good music to use to thump one's way across Texas. When done South African style, and that's with a bit more rock thrown in, one wonders if the disco genre is undervalued. Here are the songs of Disco Fever: all disco or dance, though some do rock:
'Magic Carpet Ride' by Buffalo is a strong opener, and in its way, "Ooh, ooh, carpet ride!" is a fine basic rock lyric. Nice musical frills here, the song is imaginative despite the dominant disco beat that can easily become moronic if not decorated creatively, as it is here. I hear a couple of lyrics differently on the original, but this is really a strong song.
'Living for the City' by Disco Rock Machine is a nice disco-fied cover of Stevie Wonder's song, and one faithful enough to the original, yet different and so eminently danceable that I can imagine Stevie himself might like it.
'House of the Rising Sun' by Hot R.S. A good version of one of my favorite rock standards, though the young lady singing really over-emotes how glad she feels, and she carries on disturbing the neighbours for quite a while.
'Hiroshima' by People Like Us has nice singing and is interesting lyrically, more than I-love-you-baby lyrics, yet it is a more straight-forward disco song than the first two songs on this double CD set.
'Eloise Concerto' by Rouge starts out as a readily recognizable disco song, with horn accents, and moves into a lo-o-ong and rather mellow interlude. The song is pleasant, with several movements, and comes across more as listening disco than dancing disco. If I were to hear it in a club I might think differently, though. The pleasantness of the song is borne out by the fact that it does not seem to last 17 minutes and 32 seconds.
'Time of the Season' by Neil Cloud has the same eerie mood of the original, but with a more obvious beat. The original was a favorite song, this version is too.
'Living Inside My Head' by John Ireland is my favorite song on 'Disco Fever'. Maybe early in childhood I was entranced by 'Greensleeves', which I feel sure Henry the VIII did not write, despite his claim. Anyway, John Ireland does a much better job than Henry could have with this beautiful melody and original lyrics. Absolutely lovely.
'In-a-Gadda-da-Vida' by Hot R.S. rocks, or is it that maybe the original wasn't too far from being a disco number itself? Whichever the case, this is a good version of a classic song that everyone pokes fun at, but one which everyone knows nonetheless.
That's disc one, some good pure disco, and some disco with a definite rock edge.
Disc two: 'You Really Got Me' by Disco Rock Machine (featuring Trevor Rabin) is only barely disco. It's disco in a hard rock mode, go-ahead rock with a cranking guitar. This is a loud disco cover of The Kinks song with a disco beat in the back and a wailing guitar up front in the lead.
Medley: 'Born to Be Wild', 'Gimmy Gimmy Good Lovin'', 'Mony Mony', and 'Born to Be Wild' by Buffalo works, flowing from one song to another. Inspirational rock in that it lifts me up like good music is supposed to do. Nice and long at 14 minutes and 7 seconds, too.
Medley: 'The Good, the Bad, and the Ugly' and 'Reflections of My Life' by Neil Cloud also mixes different songs and it works, moving from the universally known "Good, Bad, and Ugly" theme to lyrics of Marmalade's reflective song to disco dance rhythm and back to the two pop songs -- it really works. Also nice and long at 17 minutes and thirty-eight seconds.
'Delta Queen' -- Another song with a vocal woman disturbing the neighbors. This starts out dance-worthy with a nice yearning mood, then it mellows to become a softer disco song, with a build meant to symbolize something going on. This is a disco song of movements and parts, good to listen to aside from the young lady's histrionics, which in the song, as in real life, are distracting.
'Time to Love' by Disco Rock Machine is a good disco song with a moderate beat and some electronic fills. Pleasant and acceptable, but it doesn't really stand out.
'Give' by Harari is not what I'd call a disco song, but rather it is a timeless dance number, and a catchy and good one. The few songs I've heard by Harari make me want to hear more.
'Money Runner' by Hot R.S. combines disco, horns, and hip lyrics in an anthem to the almighty buck. This song has a driving tempo and in a club was likely to cause everybody to move in unison.
'Loving Styles' by Disco Rock Machine is a quirky song, slow in tempo with a stop-start rhythm. While I can see where some might enthuse over this one it's another that didn't hit me. It's not obvious disco, but definitely a song to dance to. Okay, it has interesting guitar extrapolations.
'Burn Out' by Sipho "Hotstix" Mabuse is a nice and gently chugging dance song, and another without the obvious disco beat. The melody and beat work precisely together here. The vocals carry the tune but are not dominant, they work with the instrumentation. A pretty song, appropriate for a closing set for lovers to dance close to before going home together.
My take on over 150 minutes of South African disco music, untinged by nostalgia, is to wonder: can it be that South Africa improved on disco? I conclude: Yes.
About a third of the musical contents of these two discs is disco for rock fans, so rockified that one might ask, "Disco? What disco?" Many of the songs are untypical of an undervalued genre. The couple of songs that I didn't respond to as strongly as others most certainly don't detract from the whole. All in all, another case of my Dollars-into Rands being well-spent.
-- Kurt Shoemaker, Blanco, Texas, 2000
Various – Disco Fever Label: Gallo – CDREDD 627, Gallo Special Projects – CDREDD 627 Format: 2 × CD, Compilation, Stereo Country: South Africa Released: 1999 Genre: Electronic Style: Disco
"An extremely RARE OFFICIAL 2CD Disco Rock compilation"
"Most people aren't aware of this, but for a brief period in the 1980s Montreal was like the WORLD CAPITOL OF DISCO. Or one of a handful of capitols, anyway. This was right after everything disco-related in New York clubland and the US record industry had ground to a halt and become terribly unhip (the so-called "Death of Disco", to hear rock critics speak of it), but before Europe's Hi-NRG and Eurobeat scenes really took over. It was a weird transitional phase, wherein electronics gradually took over for live instruments—a crucial step on the road from disco to house. Much like its close relative Italo-disco, a lot of the Québécois Disco stuff is still big with house DJs here in Chicago. I found out about it through bargain-bin shopping as I was growing up in Kansas City, and it's always been one of my very favorite musical styles.And before you discophobes start yelping: Yes, it's corny. Yes, the lyrics are ridiculous. Yes, it's saccharine and blatantly commercial and synthetic and manufactured and all that junk we're taught to hate about music. But it's also amazing. It's really forward-thinking. And INSANELY catchy. Enjoy." (Chrissy Murderbot)
"Wonderful collection of rare Canadian Disco Classics,
"Most people aren't aware of this, but for a brief period in the 1980s Montreal was like the WORLD CAPITOL OF DISCO. Or one of a handful of capitols, anyway. This was right after everything disco-related in New York clubland and the US record industry had ground to a halt and become terribly unhip (the so-called "Death of Disco", to hear rock critics speak of it), but before Europe's Hi-NRG and Eurobeat scenes really took over. It was a weird transitional phase, wherein electronics gradually took over for live instruments—a crucial step on the road from disco to house. Much like its close relative Italo-disco, a lot of the Québécois Disco stuff is still big with house DJs here in Chicago. I found out about it through bargain-bin shopping as I was growing up in Kansas City, and it's always been one of my very favorite musical styles.And before you discophobes start yelping: Yes, it's corny. Yes, the lyrics are ridiculous. Yes, it's saccharine and blatantly commercial and synthetic and manufactured and all that junk we're taught to hate about music. But it's also amazing. It's really forward-thinking. And INSANELY catchy. Enjoy." (Chrissy Murderbot)
"Wonderful collection of rare Canadian Disco Classics,
